Poverty and Wealth

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This paper analyzes the uneven distribution of wealth and social status evident in society. About 10 pieces of art will be reviewed. The various works of art will be curated from various sources. The central theme of this paper is wealth and poverty. In this respect, the paper endeavors to comprehend human civilization in regard to subsisting social and material differences in the rearview mirror of art.
Main Body
Sybil Andrews’s artwork, The Gypsies (107. 326) of 1939, is a canvas painting displayed in earthly colors such as brown and blue representing the working class (Wixom and Lawson, 50-56).

Poverty and Wealth

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Horse Fair (87.25) by Rosa Bonheur at Salon in 1853 favored countryside descriptions of poverty and evolved into an idealizing technique from earlier artwork. In this piece, Bonheur attempts to portray an assessment of animal anatomy as well as modern painters (Kean, 51-56).

Conclusion
In this paper, various works of art from various sources were evaluated. It becomes evident that every generation has been vocal in highlighting the existing differences on two fronts; poverty and wealth, progress and retrogression by way of art.
Works Cited
Kean, Roger Michael. Forgotten Power: Byzantium: Bulwark of Christianity. Shropshire: Thalamus. 2006,50-56
Wolk-Simon, Linda “Raphael at the Metropolitan: The Colonna Altarpiece.” The Metropolitan Museum of Art Bulletin, v. 63, no. 4, 2006, 15-24

Bayer, Andrea “North of the Apennines: Sixteenth-Century Italian Painting in Lombardy and Emilia-Romagna.” The Metropolitan Museum of Art Bulletin, v. 60, no. 4, 2003, 71-75

Wixom, William D., and Margaret Lawson “Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript.” The Metropolitan Museum of Art Bulletin, v. 59, no. 3, 2002, 51-56