Shakespeare concept of rebellion in 3 plays

 

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Shakespeare concept of rebellion in 3 plays Shakespeare

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PART 1:

Select TWO of the five passages which follow (one per page, drawn from
each of the five plays we have read this term), and write a short
analysis of both of your chosen passages, linking them to the larger
themes addressed in each passage. Half page each
PART 2: 2 pages

Choose ONE of the three topics listed below and write an essay in which
you present a THESIS (a position that you will argue) regarding the
topic, and address at least THREE of the plays we have studied this term.

Shakespeare concept of rebellion in 3 plays

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1. Write an essay that considers the concept of rebellion in 3 plays we
have read this term, with a particular focus on gender.
2. Write an essay that addresses the representation of the body (c.g.
the body alive, dead, mutilated, as blazon, as two bodies, as one
gender) in 3 plays we have read this term.

3. Write an essay that considers the role of mute or “imperfect”
speakers in 3 plays we have read this term.

Shakespeare concept of rebellion in 3 plays

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I. Titus Andronicus

2.4.16-27

2. Twelfth Night

SEBASTIAN
[To OLIVIA] So comes it, lady, you have been mistook: But nature to her
bias drew in that.
You would have been contracted to a maid; Nor are you therein, by my
life, deceived, You are betroth’d both to a maid and man.

DUKE ORSINO
Be not amazed; right noble is his blood. If this be so, as yet the glass
seems true,
I shall have share in this most happy wreck.

To VIOLA

Boy, thou hast said to me a thousand times
Thou never shouldst love woman like to me.

VIOLA
And all those sayings will I overswear; And those swearings keep as true
in soul As doth that orbed continent the fire
That severs day from night.

DUKE ORSINO
Give me thy hand;
And let me see thee in thy woman’s weeds.

5.1.252-266

3. Henry V

Shakespeare concept of rebellion in 3 plays

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4. Macbeth

LADY MACBETH:

The raven himself is hoarse That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
That tend on mortal thoughts, unsex me here, And fill me from the crown
to the toe, top-full Of direst cruelty. Make thick my blood,
Stop up th’access and passage to remorse, That no compunctious visitings
of nature
Shake my fell purpose, nor keep peace between
Th’ effect and it. Come to my woman’s breasts,
And take my milk for gall, you murd’ring ministers, Wherever, in your
sightless substances,
You wait on nature’s mischief. Come, thick night, And pall thee in the
dunnest smoke of Hell,
That my keen knife see not the wound it makes, Nor Heaven peep through
the blanket of the dark To cry, ‘Hold, hold.’

1.5.37-53

5. The Winter’s Tale

Exeunt POLIXENES, HERMIONE, and Attendants

Shakespeare concept of rebellion in 3 plays

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LEONTES

Gone already!
Inch-thick, knee-deep, o’er head and ears a forked one!
(To Mamillius) Go, play, boy, play–thy mother plays, and I Play too,
but so disgraced a part, whose issue
Will hiss me to my grave; contempt and clamour
Will be my knell. Go, play, boy, play. There have been, Or I am much
deceived, cuckolds ere now,
And many a man there is, even at this present, Now while I speak this,
holds his wife by th’arm, That little thinks she has been sluiced in’s
absence, And his pond fished by his next neighbour, by
Sir Smile, his neighbour–nay, there’s comfort in’t Whiles other men
have gates and those gates opened, As mine, against their will. Should
all despair
That have revolted wives, the tenth of mankind Would hang themselves.
Physic for’t there’s none; It is a bawdy planet, that will strike
Where ’tis predominant; and ’tis powerful, think it, From east, west,
north and south: be it concluded, No barricado for a belly. Know’t;
It will let in and out the enemy
With bag and baggage–many thousand on’s
Have the disease andfeel’t not. (To Mamillius) How now, boy?

Shakespeare concept of rebellion in 3 plays

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